Diversity marks the 2014 OBF’s next generation
With themes of rebirth and creation weaving together choral masterworks by Bach, Monteverdi, Verdi, Rachmaninoff, and Mozart, and a rich contrast of guest concerts ranging from baroque winds to the Canadian Brass to a big-band tribute to Duke Ellington, the Oregon Bach Festival’s first season under the directorship of Matthew Halls will be as diverse as the conductor’s own musical passions. The 45th running of the University of Oregon’s cultural gem takes place June 26-July 13 in Eugene, Portland, Corvallis, Florence, and Newport. The schedule as announced at the Friends of the Festival annual meeting Wednesday, November 13 at the UO's Jaqua Academic Center. See a listing of the major event concerts. Halls, who succeeded Helmuth Rilling as artistic director July 15, 2013, launches his inaugural season with Monteverdi’s 1610 Vespers. He’ll also direct the world premiere of his own reconstruction of Bach’s lost St. Mark Passion, completed in collaboration with Zurich-based scholar and organist Dominik Sackmann. The St. Mark and Monteverdi concerts will be presented both in Eugene and in Portland as part of the Festival’s BachFest PDX series. Both will be presented in period-performance style, a theme that runs through the Festival’s first week. In Eugene, Halls will conduct Bach’s Easter Oratorio and an Easter cantata in the Discovery Series of lecture-concerts; Rachmaninoff’s All-Night Vigil, in the form of a candlelight vigil; and the Verdi Requiem as the Festival finale. Vocal soloists for the Verdi have won the world's top competition prizes. They include: soprano Tamara Wilson; mezzo Jamie Barton and bass-baritone Shenyang (both winners of the BBC Cardiff Singer of the World competition), and tenor Russell Thomas, who, like Wilson, was a first-prize winner of Spain’s prestigious Viñas competition. Other artists and programs in the major concert lineup:
The Festival also announced a new Organ Institute, directed by Paul Jacobs, involving seminars and a public concert; and added a “Conductors Showcase” concert to its flagship conducting master class. With nine concerts set for the BachFest PDX Portland series, 34 main-event ticketed concerts, and an anticipated schedule of more than 60 total events, including talks, exhibitions, and free concerts, the 2014 OBF will be the organization’s most ambitious. John Evans, OBF president and general director, says the range and scope of music reflects Halls’ deep knowledge and passionate enthusiasm. “I’m confident that our audiences in Eugene and Portland and, indeed, throughout the state of Oregon, will be enthralled by the diversity of repertoire and Matthew’s fresh approach,” Evans says. “It’s the first step of an exciting musical journey that will take place over the years to come.” Tickets went on sale February 2014.
- Pianist Gabriela Montero, in two solo recitals and in collaboration with the Eugene Ballet Company, dancing a three-part suite on the theme of “Creation.”
- The Canadian Brass, in both children’s and main event concerts.
- His Majestys Sagbutts and Cornetts, performing music of the 16th and 17th centuries on distinctive wind instruments of the time.
- Baroque cellist Jonathan Manson, in a recital of Bach and Gabrielli.
- The Portland Baroque Orchestra, touring five cities with an “anniversaries” concert of 18th century music by C.P.E. Bach, Jean-Phillipe Rameau, and Pietro Locatelli.
- A tribute to Duke Ellington and the Harlem Jazz Craze, with emcee Jamie Bernstein, conductor Michael Barrett, and Portland’s Art Abrams Swing Machine.
- Two concerts celebrating the Strauss 150th anniversary: chamber music and a song soiree featuring soprano Tamara Wilson and tenor Nicholas Phan.
- Organist Paul Jacobs, in a duo program with trumpeter Guy Few and solo recitals in both Eugene and Portland.
- OBF Director Emeritus Helmuth Rilling, returning to conduct Mozart’s Requiem and Symphony No. 40, to lead two Discovery lecture-concerts, and to deliver the annual Hinkle Distinguished Lecture.